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Le Quan, alternative name is Tuo Yuan, Thousands ofLotus Room.He was born in Nanjing in 1950. The director of the Chinese Literary Federation and the Chinese Literary Cri...MORE>>

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"Flowers in the bottom of the heart, white clouds without door" - Le Quan talks about art, four”

 

The so-called creation, is nothing more than the heart came flowers, wind blows water, bursting into ripples.

 

The ancient writing consciousness, as in the process of writing, reflects the author's mind, often "no intention to good is good”(Su Dongpo), the deep reason calligraphy in harmony with nature," put down "can be a great freedom, and freedom reflects the independent personality. A lake of deep water to clear, let people see your shadows.

 

It is only to put down to see the truth. And the days of accommodation and lofty, can see characters through every brush, every step makes a lily grow.

 

The soul, out of all the truth, which is now down. In this way, it can touch and produce the "factors" of inner creation, which can stimulate the potential creative consciousness, which is quite different from the so-called creation of the prior design. While calligraphy writing, only to the natural and pure mind.

 

"The sand rising tide back", natural view heart, as well as the ebb and flow.

 

Know the ambition only through the twists and turns, can be a new interest in writing,but for the joy in the normal life.The joy of life, also put down the body and mind. When you put it down, it begins to be true. "Sweet but have been drifting, slowly drinking spring shadow" (Qing Dynasty, Jiang Baishi’spoetry), all of the "present", all the past.

 

 “Zen as a dead wood", hold on to one thought and turn into the eternal, even if it"accompanied by flowers". In light of the secular nature, pull the customs and not pass away, walk alone and can be compatible with the world, just as the Zen of the stillness.

 

"Forests for drug can be a evidence, cut a piece of clear white cloud. Horses in front of house said holy language, all Sanskrit inevery layers."

 

The original text is published in "Modern Express" 2017-03-25 "Yi Jia weekly"